FX-Tracker Product Demos
These MP3 files are meant to demonstrate some of the unique effects that are available with FX-Tracker. They were recorded with FX-Tracker in front of an amp modeling floor pedal. In most cases, a clean amp model was used with a small amount of drive.
This demo uses effect type 2 which has been changed in firmware release 2.0 to a reverse delay. With this effect, every time you play a note, the audio plays back in reverse from the current note to the previous note that you played. In this demo, an additional delay is used where only the delayed signal gets the reverse delay effect.
FX-Tracker Demo 2
This demo uses effect type 7, which is a single delay repeat that tracks your playing speed. You can hear how the delay gets shorter as the playing gets faster.
This demo uses effect type 10, which is a multiple delay repeat that gets longer when you play faster than 0.5 seconds. If you play slower than 0.5 seconds, no delay is heard.
This demo uses effect type 60 which is a pitch shifter that ramps up to one octave above the note that you are playing. The ramp length depends on the time between the notes that are played. The mix is set at an equal amount of wet and dry signal.
This demo shows how FX-Tracker can automatically switch between two effects depending on your playing speed. It uses a fixed period sine tremolo (effect number 30) where the temolo depth increases as you play slower. There is also a static delay with multiple repeats where the delay feedback increases as you play faster.
In this demo, an exponential volume envelope (effect type 34) is triggered with each note that you play. A delay with a single repeat is placed before the envelope generator where the delay time tracks your playing speed. This means that during each envelope, you hear both the current note being played and also the last note that was played independent of your playing speed.
In this demo, a triangle flanger envelope (effect type 43) is triggered with each chord that is played. The length of the envelope depends in the time between each chord.
In this demo, a ramp pitch shifter (effect type 63) drops the pitch by one octave each time a note is played. The ramp time is fixed to 0.2 seconds. The mix is set at an equal amount of wet and dry signal.
In this demo, band-pass filter ramp (effect type 51) is triggered with each note that is played. The length of the ramp depends in the time between each note.
In this demo, two delay effects are used. When you play softly, a single delay repeat is heard. This is the layered delay with feedback set to be higher with softer playing. When the loud chords are played, a short delay with multiple repeats is heard. This is effect type 4 with the feedback set to be higher with louder playing.
In this demo, a pitch shift value of a third higher is used and mixed with the dry signal. Effect type 65 is used and set to play harmonies with soft playing, and only the dry signal with loud playing.
In this demo, effect type 35 provides a volume ramp, where the length of the ramp depends on the time between each note that you play. In addition, a delay with multiple repeats is added after the ramp, where the delay time depends on the time between each note that you play. The delay feedback is set so that the delay is only heard for slow playing.
In this demo, a sine flanger with static period is set so that depth increases for louder playing.
This demo is meant to show how the sound depends on the placement of the layered delay. Effect type 50 is used to provide an exponential band-pass filter envelope that is triggered each time you play a note. An additional static delay is used with multiple repeats. The first part of the clip has the delay before the filter. Here, the original note triggers the filter but the repeats do not. The second part of the clip has the delay after the filter. Here the original note triggers the filter and then this sound is repeated. The third part of the clip has the delay in parallel with the filter. Here, the repeats are not filtered. Finally, in the last part of the clip, the delay is after the filter, but only the delayed signal is filtered
This demo uses effect type 66 to create arpeggio harmonies. The arpeggio pattern uses the notes of a major chord. The harmony interval changes on each note played. There are 20 patterns that can be reprogrammed using MIDI. You can also set FX-Tracker to change the harmony interval from every 1 to every 10 notes that you play.
This demo uses effect type 78 which sends a triangle shaped envelope of MIDI CC messages to a PODxT Live each time that you play a note. The length of the envelope is determined by the time between the notes that you play. The CC messages control the depth parameter of a phaser effect.
This demo uses effect type 74 which sends square wave MIDI CC messages to a PODxT Live. The CC messages control the drive strength of an amp model to give a tremolo like effect.
This demo uses effect type 78 which sends a triangle shaped envelope of MIDI CC messages to a PODxT Live each time that you play a note. The length of the envelope is determined by the time between the notes that you play. The CC messages control the filter parameter of a synth effect.
This demo uses effect type 72 which sends sine wave MIDI CC messages to a PODxT Live. The CC messages control the mix parameter of a chorus effect. The chorus period is set much faster than the sine wave of MIDI CC messages.
This demo uses effect type 84 which sends MIDI CC messages to a PODxT Live based on an arpeggio pattern. The CC messages control which amp model is selected. You can also set FX-Tracker to switch to a new amp model for each note that you play.
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